Janice Wright
págs. 5-8
Locating the Obscene: Approaching a Poetic Canon
Josiah Blackmore
págs. 9-16
The "Cantigas d'amigo" of Martin Codax in the Context of Medieval Secular Latin Song
Charles E. Brewer
págs. 17-28
págs. 29-40
"Risabelha": a Poetics of Laughter?
Benjamin Liu
págs. 41-48
Contrafacture between Occitan and Galician-Portuguese
William D. Paden
págs. 49-64
The Voiced and the Voiceless in the "Cancioneros": the Muslim, The Jew, and the Sexual Heretic as "Exclusus Amator"
Roy Rosenstein
págs. 65-76
The Enemy Within: a Galician-Portuguese Dawn Song
Janice Wright
págs. 77-90
Janice Wright
págs. 91-132
Manuscript Culture in Medieval Spain: Research Trends : a Symposium
H. Salvador Martínez
págs. 133-134
Anthony J. Cárdenas-Rotunno
págs. 135-142
Ivy A. Corfis
págs. 143-160
págs. 161-172
From Script to Print: Beyond Textual Criticism in Medieval Spanish Manuscript Culture
H. Salvador Martínez
págs. 173-196
Memoria en "Siervo libre de amor": el papel de la psicología medieval en la ficción sentimental
Robert A. Folger
págs. 197-210
"Saber bien e mal": the Fall and the Fruits of Reading the "Libro de buen amor"
Emily Francomano
págs. 211-226
How Reliable is a "razo"?: Attribution and Genre in "Baena" 40/556 and 557
John Gornall
págs. 227-242
págs. 242-256
John Dagenais
págs. 257-270