The fantastic as a vehicle of social criticism in José Emilio Pacheco's "La fiesta brava"
Cynthia Duncan
págs. 3-13
Perfecting a text: authorial revisions in José Emilio Pacheco's "Morirás lejos"
Joel Hancock
págs. 15-23
págs. 25-35
Jorge Edwards, Chile, and "El museo de cera"
Michael Moody
págs. 37-42
The poetry of Alejandra Pizarnik
Thorpe Running
págs. 45-55