págs. 189-198
The lost works of Luis de León: (2) "Expositio in Genesim"
Colin P. Thompson
págs. 199-212
The teasing opening of "Guzmán de Alfarache"
M. J. Woods
págs. 213-217
The two versions of Cervantes's "El celoso extremeño": : ideology and criticism
A. F. Lambert
págs. 219-231
The final chapters of Cortázar's "Rayuela": madness, suicide, conformism?
Steven Boldy
págs. 233-238