Acceso usuarios
Laura R. Bass, Elizabeth R. Wright
págs. 5-7
Siege as Spectacle in Cervantes’s La Numancia
Shifra Armon
págs. 11-28
The Case Against Tirso de Molina’s “Nephew”
Jane W. Albrecht
págs. 29-46
Calderón’s Theater of the New World: Historical Mimesis in La aurora en Copacabana
Sofie Kluge
págs. 47-67
Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas's Apolo y Dafne (circa 1700)
María Virginia Acuña
págs. 69-95
El puzle textual de El primer refugio de Calderón: Implicaciones metodológicas para la edición crítica
Rafael Zafra Molina 
págs. 97-109
La Comedia nueva e le scene italiane nel Seicento: trame, drammaturgie, contesti a confronto ed. by Fausta Antonucci and Anna Tedesco (review)
Guillaume Bernardi
págs. 111-115
Treating the Public: Charitable Theater and Civic Health in the Early Modern Atlantic World by Rachael Ball (review)
Ruth MacKay
págs. 117-119
El santo rey don Fernando (Segunda parte) by Pedro Calderón de la Barca (review)
Roy Norton
Es reseña de:
El santo rey don Fernando (segunda parte)
Pedro Calderón de la Barca, Carmen Pinillos Salvador (ed. lit.)
Edition Reichenberger, 2016. ISBN 978-3-944244-44-0
págs. 121-123
El secreto a voces by Pedro Calderón de la Barca (review)
Margaret Rich Greer
págs. 125-127
The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain by Al Coppola (review)
Jesús Pérez Magallón
págs. 129-131
Beyond Spain’s Borders: Women Players in Early Modern National Theaters ed. by Anne J. Cruz and María Cristina Quintero (review)
Robert Henke
Es reseña de:
Beyond Spain’s Borders: Women Players in Early Modern National Theaters.
Anne J. Cruz, María Cristina Quintero
2017
págs. 133-137
Women’s Somatic Training in Early Modern Spanish Theater by Elizabeth Marie Cruz Petersen (review)
Mary Blythe Daniels
págs. 139-142
Shakespeare, Popularity and the Public Sphere by Jeffrey S. Doty (review)
Alejandro García-Reidy
Es reseña de:
Shakespeare, Popularity and the Public Sphere
págs. 143-145
Farsas y églogas by Lucas Fernández (review)
Margarita Freixas Alás
págs. 147-149
Calderón: texto, reescritura, significado y representación by Santiago Fernández Mosquera (review)
Dian Fox
págs. 151-154
págs. 155-158
Los cigarrales de la privanza y el mecenazgo en Tirso de Molina by Juan Pablo Gil-Osle (review)
Jane W. Albrecht
págs. 159-161
What Was Tragedy?: Theory and the Early Modern Canon by Blair Hoxby (review)
Marta Albalá Pelegrín
págs. 163-166
Moors Dressed as Moors: Clothing, Social Distinction and Ethnicity in Early Modern Iberia by Javier Irigoyen-García (review)
Trevor J. Dadson
págs. 167-169
Pleasing Everyone: Mass Entertainment in Renaissance London and Golden-Age Hollywood by Jeffrey Knapp (review)
Duncan Wheeler
págs. 171-173
Las comedias autógrafas de Calderón de la Barca y su proceso de escritura by Simon Kroll (review)
José María Ruano de la Haza
págs. 175-177
The Early Modern Hispanic World: Transnational and Interdisciplinary Approaches ed. by Kimberly Lynn and Erin Kathleen Rowe (review)
Katrina B. Olds
págs. 179-183
Imagining Spectatorship: From the Mysteries to the Shakespearean Stage by John J. McGavin and Greg Walker (review)
Catherine Connor-Swietlicki
págs. 185-188
págs. 189-191
Women Playwrights of Early Modern Spain: Feliciana Enríquez de Guzmán, Ana Caro Mallén and Sor Marcela de San Félix ed. by Nieves Romero-Díaz and Lisa Vollendorf (review)
Alexander Samson
págs. 193-195
The Senecan Aesthetic: A Performance History by Helen Slaney (review)
Florence D'Artois
págs. 197-199
Shakespeare’s First Folio: Four Centuries of an Iconic Book by Emma Smith (review)
José María Pérez Fernández
págs. 201-204
Performance by Diana Taylor (review)
Erika Fischer Lichte
págs. 205-207
Theater of a Thousand Wonders: A History of Miraculous Images and Shrines in New Spain by William B. Taylor (review)
Erin Kathleen Rowe
págs. 209-211
