págs. 19-33
Carmen Moreno-Nuño
págs. 34-58
págs. 59-75
Carlos M. Amador
págs. 76-101
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling
Nelson Varas Díaz, Daniel Nevárez Araújo, D.L. Miranda
págs. 102-126
Sinister Signs: What We Can Learn from Castellanos Moya’s Insensatez (Senselessness)
Colleen P. Culleton
págs. 127-141
Bradley J. Nelson, Vivek Venkatesh
págs. 142-162
Stephen Hessel
págs. 163-179
Early Modern Deepfakes: Honing Critical Spectatorship through Pixelated Performances
Paul Michael Johnson
págs. 201-221
Who Owns the World We Need to Know?: Political Emancipation and Anti-Disinformation Pedagogy
Antonio Gómez López-Quiñones
págs. 222-241
Humanistic Studies and the Challenges of Disinformation
Luis Martín Estudillo, Nicholas Spadaccini
págs. 242-253