Acceso usuarios
This article analyzes the book of poems Hijos de la bonanza by Spanish writer Rocío Acebal Doval. Starting from the explicit intertextuality of its title, the article uncovers the connections between Acebal's poetry collection and Ben Clark's Los hijos de los hijos de la ira and Dámaso Alonso's Hijos de la ira, weaving a long lyrical thread that draws together several generations through the reimagination of the concept "poesía desarraigada." Above all, in its search for new ways of understanding millennial lyrical epistemologies and production, this article refutes the use of the label "social poetry" and defends the creation of new critical terminologies that better serve the context in which Spanish poetry is being produced today.
