Acceso usuarios
Stefano Tedeschi 
El artículo propone un análisis de los dos poemas dramáticos de Rosario Castellanos, Salomé y Judith, en el marco de la literatura mexicana de los años 50, como obras intertextuales que transforman el significado de los dos personajes principales, sugiriendo una interpretación feminista. Utilizando la teoría de le intertextualidad de Genette y algunas relecturas teológicas feministas, se propone una diferenciación entre los dos poemas, a partir de la evolución de la poética de Castellanos This paper proposes an analysis of Rosario Castellanos's two dramatic poems, Salomé and Judith, within the framework of 50s Mexican literature, as intertextual works that transform the meaning of the two main characters, suggesting a feminist interpretation. Using Genette's theory of intertextuality and some feminist theological reinterpretations, a differentiation between the two poems is proposed, based on the evolution of Castellanos's poetics.
This paper proposes an analysis of Rosario Castellanos's two dramatic poems, Saloméand Judith, within the framework of 50s Mexican literature, as intertextual works that transform the meaning of the two main characters, suggesting a feminist interpretation. Using Genette's theory of intertextuality and some feminist theological reinterpretations, a differentiation between the two poems is proposed, based on the evolution of Castellanos's poetics.
