Paisajes de conflicto desde el postconflicto en la ficción de Lucy Caldwell

• Asier Altuna García de Salazar ^[1] ; MaríaJ. Pando Canteli ^[1]
  1. [1] Universidad de Deusto

     Universidad de Deusto

     Bilbao, España

     
• Localización: Fontes linguae vasconum: Studia et documenta, ISSN 0046-435X, Año nº 57, Nº 139, 2025, págs. 169-189
• Idioma: español
• DOI: 10.35462/flv139.8
• Enlaces
  • Texto completo (pdf)
• Resumen

  • Este artículo examina cómo la ficción postconflicto escrita por mujeres en Irlanda del Norte revisita los Troubles. Partiendo de la representación de la violencia y del trauma en las novelas Where They Were Missed (2006) y All the Beggars Riding (2013) de Lucy Caldwell, se exploran los paisajes del conflicto norirlandés desde una mirada femenina que ahonda en la brecha intergeneracional, la memoria, lo doméstico y el afecto. Se demuestra que Where They Were Missed y All the Beggars Riding ofrecen visiones de futuro alternativas al utilizar los paisajes del conflicto con el fin de visibilizar temáticas distintas a las hegemónicas.

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