De Terminator a Terminatrix: representaciones y estereotipos de género

• Autores: Noemí Novell
• Localización: Lectora: revista de dones i textualitat, ISSN 1136-5781, Nº. 11, 2005, págs. 171-180
• Idioma: español
• Enlaces
  • Texto completo (pdf)
• Dialnet Métricas: 2 Citas
• Referencias bibliográficas
  • Armitt, Lucy (ed.) (1991), Where No Man Has Gone Before. Women and Science Fiction, Londres y Nueva York, Routledge.
  • Bukatman, Scott (1993), Terminal Identity. The Virtual Subject in Postmodern Science Fiction, Durham y Londres, Duke University Press.
  • Kirkup, Gill et. al. (eds.) (2000), The Gendered Cyborg. A Reader, Londres y Nueva York, Routledge/The Open University.
  • Lefanu, Sarah (1988), In the Chinks of the World Machine. Feminism and Science Fiction, Londres, The Women’s Press.
  • Mulvey, Laura (1989), “Visual Pleasure and Narrative Cinema”, Visual and Other Pleasures, Bloomington e Indiannapolis, Indiana University...
  • Penley, Constance (1991), “Time Travel, Primal Scene, and the Critical Dystopia”, Close Encounters. Film, Feminism, and Science Fiction, Constance...
  • Roisman, Hanna M. (2001), “Predestination in Greek Literature and the Terminator Films”, Classical and Modern Literature, 21/2 (2001): 99-107.
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  • The Terminator (James Cameron, 1984).
  • Terminator 2. Judgment Day (T2) (James Cameron, 1991).
  • Terminator 3. Rise of the Machines (Jonathan Mostow, 2003).