Influencias brechtianas en el teatro de Edward Bond: un análisis comparativo de "Human cannon" y "The mother"

• Autores: Susana Nicolás Román
• Localización: Anuario de estudios filológicos, ISSN 0210-8178, Vol. 29, 2006, págs. 237-245
• Idioma: español
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• Referencias bibliográficas
  • Bond, E., «On Brecht: A Letter to Peter Holland», Theatre Quarterly, xxx (1978), págs. 34-35.
  • Bond, E., Plays: 4. The Worlds. The Activists Papers. Restoration. summer, London, Methuen, 1998 (1992).
  • Bond, E., Plays: 5. Human Cannon. The Bundle. Jackets. in the Company of Men, London, Methuen, 1996.
  • Bond, E., Plays: 6. The War Plays. Choruses from After the Assassinations, London, Methuen, 2002 (1998).
  • Brecht, B., The Mother, London, Methuen, 1978 (1932).
  • Desuché, J., La técnica teatral de Bertolt Brecht, Barcelona, Tau, 1968.
  • Esslin, M., Brecht. A Choice of Evils, 4th edition, Methuen, 1984.
  • Holland, P., «Brecht, Bond, Gaskill, and the Practice of Political Theatre», Theatre Quarterly, xxx (1978), págs. 24-34.
  • Innes, C., «The Political Spectrum of Edward Bond: From Rationalism to Rhapsody», Modern drama, xxv, 2 (1982), págs. 189-206.
  • Klein, H., «Human Cannon – An Epic History Play by Edward Bond», Anejos de Analecta Malacitana vi (1989). Estudios de Filología inglesa, Málaga,...
  • Reinelt, J., After Brecht. British Epic Theatre, Ann Arbor, University of Michigan Press, 1994.
  • Roberts, P., «The search for epic drama: Edward Bond’s recent work», Modern drama xxiv (1981), págs. 458-478.
  • Spencer, J.S., dramatic strategies in the Plays of Edward Bond, Cambridge University Press, 1992.
  • Stuart, I. (ed.), Edward Bond. Letters ii, Luxembourg, Harwood, 1995.
  • Willett, J. (ed.), Brecht on Theatre, London, Methuen, 1964.