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This article intends to be a concrete contribution to the study of the imaginary component in literary works, within the field of the Poetics of the Imaginary. It also deals with its psycological-anthropological bases and its outstanding features in the text. You can find the roots for this component in the so-called "creative fantasy", from a psycological-psycoanalistic perspective. After Freud's and his disciples' investigations upon unconscious, Psychoanalistic criticism, Psycocritics, Mytocritics and Mytoanalysis have tried to give a satisfactory explanation to the meaning of literary works -these understood as a result of the actualization of the unconscious through latent fantasy. But only the Poetics of the Imaginary, in its most recent studies, associates symbols -consequences of pulsional movements-, with the material structures of the text, through what García Berrio has denominated, "schemes of fantastic spatialitation".
