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The aim of this article is to relate Nietzsche's concept of tragedy to the notion of imaginary syntax (Burgos, Vierne, García Berrio) by placing it among the distant sources of this notion as developed in recent mythocritics, the justification being that tragedy, for Nietzsche, interprets the deepest origins of human existence in a communicative space, the complex structure of which is the expression of this primary subconscious truth.
