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The article explores how rewriting offers the opportunity to the poetic voice for ideological progression, cultural development and intellectual maturity. Focusing on Almudena Guzmán's poetry, and employing rewriting as a polyvalent critical tool, the article reintroduces bodies and experience to the discourse of identity, and it approaches rewriting as the element which enables the negotiation of an identity and which is able to challenge its subsequent development. The article also draws on rewriting in terms of mythopoesis and inversion of topics, establishing a dialogue with feminists' works on the topic, and considers how rewriting empowers the poetic voice in terms of fluidity and intellectual maturity
