Acceso usuarios
Christelle Reggiani 
This paper is based upon an historical hypothesis which could be formulated as such : the privilege granted to indirect modes of signifying in contemporary French narrative prose by the violence of XXth century´s history. Hence the interest of the stylistic notion of figure (of speech), which implies that literary uses of figures elaborate, implicitly, a reflection on history : that is to say that literary history " as history of aesthetic forms" should also be an history of figures. This paper aims to sketch such a study, by choosing three examples (three figures, and three contemporary oeuvres): syllepsis (illustrated by Jean Rouaud´s novels), hyperbaton (which analysis is based upon some narratives by Claude Simon and Laurent Mauvignier) and allegory (here exemplified by Antoine Volodine novels).
