Acceso usuarios
Enrique Fernández Rivera
En El pastor Quijótiz (1969), Camón Aznar utiliza la lucha entre el ideal y la realidad típica de muchas recreaciones cervantinas como vehículo para explorar literariamente sus dificultades en compaginar los ideales de su juventud de librepensador republicano con la posibilidad de seguir siendo un intelectual en activo en la España franquista. El pastor Quijótiz intenta salvar aspectos utópicos del proyecto liberal de principios del siglo XX reorientándolos hacia una espiritualidad privada que le sirve de consuelo frente a una sociedad llena de injusticia. Camón Aznar parte del Quijote rebelde de Unamuno, a quien tanto admirara en su juventud, pero modificándolo con grandes dosis de un victimismo resignado de raíz estoico-cristiana.
In El pastor Quijótiz (1969), Camón Aznar resorted to the antagonism ideal vs. reality, characteristic of many recreations of Cervantes’ masterpiece, to explore the problem he had in combining the ideas of his freethinking youth with his later role as an active intellectual under Franco. El pastor Quijótiz is an attempt at saving the liberal intellectuals’ utopianism of the early 20th century by transforming it into a form of private spirituality that serves as a comforter in the face of the surrounding social injustice. Camón Aznar builds upon the figure of the rebellious Don Quixote created by Unamuno, who he had admired in his youth. However, he changes the figure by adding a resigned victimization of Stoic- Christian origin.
