Writing the Self, Drawing the Self: Identity and Self-Reflexivity in Craig Thompson’s Graphic Memoir Blankets

• Autores: Mercedes Peñalba García
• Localización: Cultura, lenguaje y representación = Culture, language and representation: revista de estudios culturales de la Universitat Jaume I = cultural studies journal of Universitat Jaume I, ISSN 1697-7750, Nº. 14, 2015, págs. 155-180
• Idioma: inglés
• Títulos paralelos:
  • La representación verbal y visual del «yo»: Identidad y autorreflexividad en la memoria gráfica Blankets de Craig Thompson
• Enlaces
  • Texto completo
• Resumen
  • español

    Este artículo plantea, como eje argumentativo, la identificación de algunas convenciones genéricas del cómic autobiográfico mediante las cuales se articula la construcción de la identidad y se abordan aspectos relativos a la veracidad, la ética y la representación del «yo» en un medio verbo-visual. La memoria gráfica de Craig Thompson Blankets (2003) servirá de base para el análisis de algunos recursos semióticos del género autobiográfico: la representación de la subjetividad y la dimensión espacial de la temporalidad. A partir del modelo crítico postulado por Charles Hatfield (2005), se examina la identidad fragmentada del sujeto autobiográfico, la doble naturaleza del pacto narrativo –verbal y visual– y la noción de autenticidad.

  • English

    The aim of this article is to identify some of the key conventions and narrative patterns that graphic memoirists may use in order to articulate their own sense of identity, and deal with issues of truth, ethics, and representation through visual and verbal combinations. Craig Thompson’s Blankets (2003) serves as a poignant example of the semiotic resources that are relevant to an analysis of the autobiographical comics genre: the inscription of subjectivity and the spatial dimension of temporality. Drawing on Charles Hatfield’s critical model (2005), this article examines the various ways graphic narratives mediate identity, enter into (and out of) autobiographical pacts, and «perform» authenticity.

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