Influencias shakespeareanas en algunas obras dramáticas de Federico García Lorca

• Autores: Marta Barbeito Rodríguez
• Localización: Hesperia: Anuario de filología hispánica, ISSN 1139-3181, Nº 18, 2, 2015, págs. 13-22
• Idioma: español
• Títulos paralelos:
  • Shakespearean influences in some Federico García Lorca’s plays
• Enlaces
  • Texto completo (pdf)
• Resumen

  • : Ian Gibson takes for granted that Lorca read Shakespeare’s plays. In Lorca’s theatre we can find allusions to shakespearean plays and characters, but that influence goes further because they fight for the change of theatre (they deal with themes taboo till the moment, such as defense of minorities races —Othello— or of homosexuals —El Público—). Metatheatrical resources are also near in both authors: they stage themes such as theatrical acting (Othello and El Público or Comedia sin título). Some themes are common: revenge, love, hate, parents’repression, honor, metatheatrical reflection, death and fight to change

• Referencias bibliográficas
  • Adani, Silvia (1999), La presenza di Shakespeare nellópera di García Lorca, Bologna: Il Capitello del Sole.
  • Anderson, Andrew A. (1985), “Some Shakespearean Reminiscences in García Lorca’s Drama”, Comparative literature studies, volumen 22, no 2,...
  • Dougherty, Dru y María Francisca Vilches (1990), La escena madrileña entre 1918 y 1926: análisis y documentación, Madrid: Fundamentos.
  • Hornby, Richard (1986), Drama, Metadrama and Perception, Londres: Associated University Press.
  • Lionel, Abel (1963), Metatheatre: A New View of Dramatic Form, New York: Hill Wang Editions.
  • Martin, Eutimio (1988), “Federico García Lorca: el impacto de Shakespeare en dos poemas juveniles inéditos”, Federico García Lorca: saggi...
  • Vilches de Frutos, María Francisca y Dru, Dougherty (1997), La escena madrileña entre 1926 y 1931: un lustro de transición, Madrid: Fundamentos.