Acceso usuarios
Luis Bagué Quílez 
Este artículo analiza el confl ictivo estatuto del sujeto lírico de Viento del pueblo . Miguel Hernández adopta en dicho libro los papeles de “poeta del pueblo” y de “poeta-soldado” para justifi car su solidaridad con la clase trabajadora y su participación en el bando republicano durante la Guerra Civil. Aunque ambos papeles se inspiran en la experiencia autobiográfi ca del autor, su identifi cación con el pueblo desempeña una doble función discursiva: una dimensión exhortativa (el llamamiento a la movilización bélica) y un propósito propagandístico (un mensaje en defensa de los valores republicanos). Todo ello convierte a Viento del pueblo en un libro complejo que pone a prueba la vigencia del compromiso hernandiano.
This paper deals with the controversial status of the lyric voice in Viento del pueblo . Miguel Hernández plays here the roles of “a poet of the people” and of “a poet soldier” in order to support both his solidarity with the working class and his enrolment in the Republican army during the Spanish Civil War. Although these roles are inspired by the author’s autobiographical experience, his identifi cation with people develops a double discourse function: on the one hand, it exhibits an appellative dimension (conceived as a campaign for war recruitment); and, on the other, it has a propagandistic goal (understood as a vindication of the Republican values). Due to all these features, Viento del pueblo becomes a complex book which requires to update the essence of commitment in Miguel Hernández.
