Acceso usuarios
José María Rodríguez Santos 
El presente trabajo pretende mostrar un análisis del género de la comedia de stand-up desde una perspectiva retórica. Se propone un análisis de actos y rutinas de artistas vallisoletanos de stand-up con el objetivo de explicar la influencia que tiene el posicionamiento del ethos del comediante respecto a la audiencia y respecto al asunto con el que se pretende el humor. Se trata, por tanto, de una estrategia retórica con una evidente influencia cultural, por lo que es posible abordarla desde los principios de la Retórica cultural propuestos por Tomás Albaladejo.This study aims to show an analysis of the stand-up comedy genre from a rhetorical perspective. A review of the actions and habits of some stand-up artists from Valladolid is proposed in order to explain the influence of the position of the comedian ethos has with regard to the audience, and to the matter which is the subject of the humour. Therefore, this is a rhetorical strategy which has an evident cultural influence that could be addressed from the principles of the cultural rhetoric suggested by Tomás Albaladejo.
This study aims to show an analysis of the stand-up comedy genre from a rhetorical perspective. A review of the actions and habits of some stand-up artists from Valladolid is proposed in order to explain the influence of the position of the comedian ethos has with regard to the audience, and to the matter which is the subject of the humour. Therefore, this is a rhetorical strategy which has an evident cultural influence that could be addressed from the principles of the cultural rhetoric suggested by Tomás Albaladejo.
