Acceso usuarios
Ana Melendo Cruz
La aproximación a la obra documental de José Neches resulta decisiva en la comprensión del documental rural en España, no solo desde un punto de vista histórico, sino también desde una perspectiva plástica. El carácter pedagógico que los define necesita del uso de algunos artificios narrativos que posibiliten el pacto de verosimilitud entre el emisor y el receptor que anima a todo texto documental. Por eso, este trabajo quiere ocuparse de la lectura narratológica de las diferentes voces narrativas, que irrumpen en la filmografía nechesiana, para arrojar luz sobre las distintas funciones que en estos textos desempeñan. The approximation to the agrarian documentary work of José Neches is decisive for the comprehension of the rural documentary in Spain, not only from a historical point of view but, also, from a visual perspective. The pedagogical character which defines his work uses some narrative tools that make possible the verisimilitude deal between the sender and the receiver which enlivens every documentary text. Therefore, this work aims to address the narratological lecture of the different narrative voices that burst into Neches’ filmography to shed light on the many functions this texts carry.
The approximation to the agrarian documentary work of José Neches is decisive for the comprehension of the rural documentary in Spain, not only from a historical point of view but, also, from a visual perspective. The pedagogical character which defines his work uses some narrative tools that make possible the verisimilitude deal between the sender and the receiver which enlivens every documentary text. Therefore, this work aims to address the narratological lecture of the different narrative voices that burst into Neches’ filmography to shed light on the many functions this texts carry.
