The Body as a Conflation of Discourses: The femme fatale in Mercè Rodoreda’s Mirall trencat (1974)

• Bru-Domínguez , Eva ^[1]
  1. [1] University of Birmingham

     University of Birmingham

     Reino Unido

     
• Localización: Revista Internacional de Catalanística = Journal of Catalan Studies, ISSN-e 1139-0271, Nº. 12, 2009
• Idioma: inglés
• Enlaces
  • Texto completo (pdf)
• Referencias bibliográficas
  • Creed, B. 1993. The Monstrous-Feminine. Film, Feminism, Psychoanalysis, London and New York: Routledge.
  • Doane, M.A.. 1991. ‘Veiling Over Desire: Close-ups of the Woman’, Femme Fatales. Oxon: Routledge, pp 44-75.
  • Krutnik, F. 1991. In a Lonely Street. Film noir, genre, masculinity, London: Routledge.
  • Nichols, G.C. 1987. ‘Writers, Wanton, Witches: Woman and the Expression of Desire in Rodoreda’, Catalan Review. 2:2 (December),...
  • Rodoreda, M. 1988. El carrer de les Camèlies, Barcelona: Club Editor.
  • Rodoreda, M. 1993. Camelia Street, Trans. D.H. Rosenthal, Minnesota: Graywolf Press.
  • Rodoreda, M. 2000. Mirall trencat. Barcelona: Club Editor.
  • Rodoreda, M. 2006. A Broken Mirror. Trans. J.M. Sobrer. Lincoln and Barcelona: University of Nebraska Press and ...
  • Salih, S. 2002. Judith Butler. London and New York: Routledge.
  • Screen. 1992. ‘Introduction. The Female Spectator’, The Sexual Subject. A Screen Reader in Sexuality, London and New...
  • Stott, R. 1992. The Fabrication of the Late-Victorian ‘Femme Fatale’, The Kiss of Death, London: The MacMillan Press Ltd.