This article is about a semiotic investigation of the changes in a new technology. The author propose the concept "virtual escópic régimes": the virtual present, the new mechanism of the image that these changes transform in an intermediary between the real world and the fictional world. Finally they construct a contribution to a typology in the four type of intermediary that constructs the virtual mechanism: in the hyper-textual, hyper-virtual, hyper-sensitive and the aesthetic rules.