Deconstruir la moda. El universo significativo de Vivienne Westwood

• Charo Lacalle ^[1]
  1. [1] Universitat Autònoma de Barcelona

     Universitat Autònoma de Barcelona

     Barcelona, España

     
• Localización: DeSignis: Publicación de la Federación Latinoamericana de Semiótica ( FELS ), ISSN 1578-4223, Nº. 1 (Septiembre), 2001 (Ejemplar dedicado a: La moda. Representaciones e identidad), págs. 253-263
• Idioma: español
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• Dialnet Métricas: 1 Cita
• Resumen

  • Unlikely the other two scopes of the great human system of values (epistemic and ethical), the aesthetic judgement is no based on the opposition of concepts and the aesthetic concepts settle onto the system only as an “extra” meaning upon the epistemic and ethical values. I think that the style of fashion designers could be studied by means of the production of such an “extra” meaning and this paper tries to determine the characteristics that define Vivienne Westwood’s fashion, by analyzing her way of working with signs.