Augusto Gonzalez Molina
Este trabajo propone un análisis comparado entre dos comedias del Siglo de Oro: La desgraciada Raquel de Antonio Mira de Amescua y Soberbia de Nembrot de Antonio Enríquez Gómez, con los objetivos de operativizar la noción de imaginario en dichas obras y construirlo a partir de dos líneas: el conflicto religioso y las representaciones literarias que este último suscitó. Las tensiones generadas en el plano del discurso configuran un entramado ideológico, teniendo en cuenta huellas y silencios rastreables en el nivel profundo textual.
In the present paper, we seek to investigate the presence of the roman poet Martial in the Spanish literature of the XVII century. We chose for the object of analysis the two treatises written by the Spanish Jesuit Baltasar Gracián: Arte de ingenio, tratado de la agudeza (1642) and Agudeza y arte de ingenio (1648). In both, the Martial’s epigrams are widely referred as examples of wits and the roman poet is considered, by the Spanish Jesuit, as the first great wit poet. Therefore, in analyzing the presence of Martial in Gracian’s treatises, we seek to understand the path covered by the Epigrams and his uses in the XVII century in Spain.