Acceso usuarios
Christine Arkinstall
Blanca de los Ríos (1859-1956) was among a number of fin-de-siècle Spanish writers who used the context of the War of Independence (1808-14) for diverg-ing national agendas. Her little-studied novella, Sangre española (1899), demonstrates the inseparability of nineteenth-century constructions of the Spanish nation from its imperial identity. Like the War of Independence, the Spanish-American War (1895-98) fuelled a fear of foreign imperialism that spilled over into cultural realms, giving rise to debates on what constituted a “pure” Spanish nation and literature, as exemplified in Miguel de Unamuno’s En torno al casticismo (1895). I read Sangre española against Unamuno’s work to highlight de los Ríos’s engagement with paradigms of cultural inclusion and exclusion. I posit that the novella’s displacement of fin-de-siècle concerns around Spain’s identity, national and imperial, onto the War of Independence attempts to affirm an enduring essence untouched by imperial loss. While existing studies have identified some aspects of Sangre española’s imbrication with empire, I address issues pertinent to both colonization and women’s subjection—resistance, consent, and contract—and the novella’s vindication of women as actors in the masculine domain of war.
