Acceso usuarios
José Manuel Blanco Mayor
This paper focuses on some distinctive aspects of Carlos Álvarez’sAullido de Licántropo. After consi-dering the main literary precedents of the fictional representation of the werewolf, we will deal with the centralchallenge of this work, namely the function of the polyphony of narrative voices and of the discursive registersimplied in it. The aforementioned polyphony turns out to be a critique of the social and aesthetic conventions towhich theAullidosubtly alludes. We will approach the question form a methodologically eclectic perspective, inwhich prevails, though, Michail Bakhtin’s theory of dialogism
