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Mary Kate Donovan
nna May Wong was the most widely known Asian American film actress of her generation, achieving unprecedented success in the Hollywood and European industry. When she traveled to Spain in 1935 to perform at the Teatro Casablanca in Madrid, she was already an international star and her visit garnered extensive coverage from the Spanish press, particularly film magazines of the period. These magazines provided their largely female readership with access to Hollywood stars such as Wong, whose celebrity was the site of complex negotiations of race, ethnicity and citizenship in the United States and Europe during the 1930s. Publications such as Cinegramas and Popular Film represented Wong for Spanish readers who, although removed from the particularities of race politics in the United States, were nevertheless intrigued by her ‘exotic allure’, positioned as she was at the intersection of racial otherness and Hollywood glamour. By reading Wong in Spanish magazines from the 1930s, this article considers how Spanish readers might have used these representations as a tool for negotiating their own identities as cosmopolitan at a moment when Spain was often perceived as existing on the cultural margins of Western Europe.
