Acceso usuarios
Antonio de Padua Andino Sánchez
Al analizar los dos primeros capítulos que sirven de prolegómeno a la Segunda Parte del Quijote, puede observarse ya el sendero creativo que va a tomar la nueva aventura literaria. Cervantes usa las fuentes clásicas, fruto de lecturas de toda una vida, de manera clara pero dosificada, como referencias, argumentos y ejemplos de un don Quijote que adquiere un perfil oscilante de sabio cuerdo o de loco sabio. Así ahonda en el conflicto humano entre pensamiento y acción o entre literatura y vida, que afecta igualmente al propio autor, como mezcla contradictoria típica del periodo barroco en que ambos cohabitan.
In the first two chapters, that serve as a prelude to the Second Part of Don Quixote, we can already observe the creative path that the new literary adventure will take.
As we shall point out, the large number of references, arguments and examples issued from Cervantes’ classical readings allow him to outline in these chapters the evolution of Don Quixote, who acquires a twofold profile oscillating between wise sanity and crazy wisdom. The author delves into the human conflict between thought and action or between literature and life, a conflict that also affects Cervantes himself and appears to us readers as a contradictory mixture typical of the Baroque period in which both the character and its creator cohabit.
