Acceso usuarios
Daniel Escandell Montiel 
The notion of transmediality has been almost indissolubly associated with different media spaces for each medium integrated in a work. Through the analysis of Tatuaje (2014), the article proposes that this is not only necessary or exclusive, but also implies a modification of the parameters surrounding this notion of transmediality, since it changes aspects such as the type of interaction required and the relevance of the fragmentary traits inherent to the media leaps. As the article exposes, this is possible due to the text-visual aspect of digital writing and the formal flexibility of the Web, achieving greater hybridization and a powerful media symbiosis, although this results in the detriment of the full exploitation of each medium due to the necessary harmonization imposed by its agglutination on a unified canvas.
The notion of transmediality has been almost indissolubly associated with different media spaces for each medium integrated in a work. Through the analysis of Tatuaje (2014), the ar-ticle proposes that this is not only necessary or exclusive, but also implies a modification of the parameters surrounding this notion of transmediality, since it changes aspects such as the type of interaction required and the relevance of the fragmentary traits inherent to the media leaps. As the article exposes, this is possible due to the text-visual aspect of digital writing and the formal flexibility of the Web, achieving greater hybridization and a powerful 109media symbiosis, although this results in the detriment of the full exploitation of each me-dium due to the necessary harmonization imposed by its agglutination on a unified canvas.
