Acceso usuarios
Marina Paniagua Blanc
Abordamos el estudio de una autora que ha tenido poca relevancia en la literatura quiteña debido a que su obra no ha sido dada a conocer hasta el siglo XX y está plagada de interpolaciones. Acotamos ese estudio a la figura del demonio, con sus variadas representaciones, que consideramos que ha sido el hilo conductor de la narración y que con su presencia en el monasterio de la Concepción de Quito intervino no solo en la vida de la comunidad, sino también en la de la propia ciudad, en una lucha con Mariana, en la que esta siempre salía vencedora, aunque siempre había un eterno regreso del Maligno.
This study deals with an author who has had little relevance in the literature of Quito as her work did not become well-known until the 20th century and is full of interpolations. The article is limited to the figure of the devil and his varied representations. The devil acts as a connecting thread throughout the narrative and his presence in the Monastery of the Conception in Quito intervened, not only in the life of the community but also in that of the city itself, in a continuous struggle with Marian, in which she was always victorious, even though the evil one always returned
