Acceso usuarios
Francisco Javier Gomariz Zarapico
Cuando el teatro sirve para cambiar conceptos, hacer reflexionar sobre temas tabú o remover consciencias, es que ha tenido éxito. Y llegar hasta la luna es una coproducción del Centro Dramático Nacional (España), junto con la compañía teatral Proyecto 43-2, dirigido por María San Miguel en marzo y abril de 2021. La obra está formada por un elenco de actores con y sin diversidad funcional. La temática es el sexo, la violencia y la discapacidad. En este artículo, ve-remos un análisis del discurso aportado desde la experiencia de actores pertenecientes al montaje y la propia directora. Una revolución es un cambio de perspectiva, hablar de temas que no se abordan, para encontrar elementos de unión, lo que a veces conlleva una subversión ante un sistema encorsetado. Ofreciendo así un análisis de cómo el teatro es capaz de elaborar un discurso abierto, pero capaz de centrarse en elementos concretos desde diferentes perspectivas
When theater serves to change concepts, make people re-flect on taboo topics or stir consciences, it has been successful. And get to the moon is a co-production of the Centro Dramático Nacional (Spain), together with the theater company Proyecto 43-2, directed by María San Miguel in March and April 2021. The play is made up of a cast of actors with and without functional diversity. The theme is sex, violence and disability. In this article, we will see an analysis of the discourse provided from the experience of actors belonging to the pro-duction and the director herself. A revolution is a change of perspective, talking about issues that are not addressed, to find elements of union, which sometimes entails a subversion before a corseted system. Thus offering an analysis of how theater is capable of developing an open discourse, but capable of focusing on specific elements from different perspectives.When theater serves to change concepts, make people re-flect on taboo topics or stir consciences, it has been successful. And get to the moon is a co-production of the Centro Dramático Nacional (Spain), together with the theater company Proyecto 43-2, directed by María San Miguel in March and April 2021. The play is made up of a cast of actors with and without functional diversity. The theme is sex, violence and disability. In this article, we will see from the experience of actors belonging to the assembly and the director herself. A revolution is a change of perspective, talking about issues that are not addressed, to find elements of union, which sometimes entails a subversion before a corseted system. Thus offering an analysis of how theater is capable of developing an open discourse, but capable of focusing on specific ele-ments from different perspectives
