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In Marcela, Preciosa, and Dorotea, Cervantes demonstrates to the reader the operation of ¿free will¿ vis à vis the ¿object of beauty,¿ while at the same time nostalgically portraying the ¿classicist woman.¿ The author therefore presents a complex world, realistically sketched, but presented with but a single background: the stereotype of woman in the ¿glorious Golden Age,¿ a semi-divine woman, an ideal who bridged the human and the divine, thus sustaining Paradise, and finally a free expression of divine light.
