Acceso usuarios
Monique Joly
In this paper a parallel is established between the sum total of obscene allusions which Sancho makes whenever he comes across a sexually desirable young woman, and those that are made in the ¿danza guiada¿ in La ilustre fregona. In both cases the divergent handling of improper and abnormal attitudes with respect to love reveals the ideological filter through which Cervantes views the country bumpkin to whom he can ascribe positive values, as opposed to the urban infra-world, which he represents in a much harsher manner.
