Acceso usuarios
Este trabajo analiza la presencia de la garza en la literatura medieval. Se realiza un recorrido diacrónico desde Disciplina clericalis, Calila e Dimna, Poridat de poridades o las Cantigas de Alfonso X y, luego, se detiene en la figura de Inés de Castro, “la del Cuello de Garza”, pareja de Pedro I de Portugal y protagonista de muchos romances castellanos. Estudia, a continuación, esta bella ave en el Libro de Buen Amor, especialmente en los episodios de D.ª Endrina y de D.ª Garoça. Y concluye con la “Garza Montesina”, bello poema de Juan del Enzina y nombre de un personaje de la Lozana andaluza.
This paper analyses the presence of the heron in medieval literature. A diachronic journey is made from Disciplina clericalis, Calila e Dimna, Poridat de poridades or the Cantigas de Alfonso X and, then, it stops at the figure of Inés de Castro, ‘the one with the Heron's Neck’, partner of Pedro I of Portugal and protagonist of many Castilian romances. He then studies this beautiful bird in the Libro de Buen Amor, especially in the episodes of D.ª Endrina and D.ª Garoça. He concludes with the ‘Garza Montesina’, a beautiful poem by Juan del Enzina and the name of a character in the Lozana andaluza.
This paper analyses the presence of the heron in medieval literature. A diachronic journey is made from Disciplina clericalis, Calila e Dimna, Poridat de poridadesor the Cantigas de AlfonsoX and, then, it stops at the figure of Inés de Castro, ‘the one with the Heron's Neck’, partner of Pedro I of Portugal and protagonist of many Castilian romances. He then studies this beautiful bird in the Libro de Buen Amor, especially in the episodes of D.ª Endrina and D.ª Garoça. He concludes with the ‘Garza Montesina’, a beautiful poem by Juan del Enzina and the name of a character in the Lozana andaluza.
