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A partir de la paráfrasis del clásico ensayo de Gayatri C. Spivak, ¿Pueden hablar los subalternos?, el artículo se propone indagar, en la novela de Pablo Montoya La sombra de Orión (2021), la emergencia de las voces silenciadas de las víctimas la violencia urbana en Medellín. A través de la indagación de las subjetividades de las víctimas, la novela trata de no encerrar a estas últimas en una categoría homologadora y cuestiona, al mismo tiuempo, la categoría monolítica de sujeto referida al propio narrador. De esa manera, en las grietas de su subjetividad desgarrada, las voces de las víctimas encuentran un espacio de fugaz expresión.
Based on the paraphrase of Gayatri C. Spivak's classic essay, Can the Subaltern Speak?, the article aims to investigate the possibilities of the emergence of the silenced voices of urban violence in Pablo Montoya's novel La sombra de Orión (2021). Through the investigation of the subjectivities of the victims, the novel tries not to enclose the latter in a homogenizing category and questions, at the same time, the monolithic category of subject referred to the narrator himself. In this way, in the cracks of his torn subjectivity, the voices of the victims find a space for their expression.
Based on the paraphrase of Gayatri C. Spivak's classic essay, Can the Subaltern Speak?, the article aims to investigate the possibilities of the emergence of the silenced voices of urban violence in Pablo Montoya's novel La sombra de Orión(2021). Through the investigation of the subjectivities of the victims, the novel tries not to enclose the latter in a homogenizing category and questions, at the same time, the monolithic category of subject referred to the narrator himself. In this way,in the cracks ofhis torn subjectivity, the voices of the victims find a space for their expression.
