Acceso usuarios
Claudio Castro Filho 
El artículo indaga en cómo la experiencia del exilio en Argentina ha condicionado la producción artística de Victorina Durán (1899-1993), permitiéndole incorporar a sus creaciones elementos de diversas culturas. Entre 1937 y 1963, la artista integra redes literarias que responden a una doble inclinación: el anhelo de triunfar en el nuevo contexto y la nostalgia de la España natal. Además de acercarse a la producción estética y dinámicas de cooperación intelectual de Durán en los años del exilio, el trabajo indaga en la configuración del lugar de enunciación de la creadora madrileña: ¿cómo evoluciona, en sus principales obras, la conciencia discursiva sobre su lugar o punto de vista ‘al margen’? The article explores how the experience of exile in Argentina conditioned the artistic production of Victorina Durán (1899-1993), allowing her to incorporate elements from different cultures. Between 1937 and 1963, the artist established literary networks that responded to a dual inclination: the desire to achieve artistic success in the new context and the nostalgia for her native Spain. In addition to addressing Durán's artistic production and the dynamics of intellectual cooperation during her years of exile, the document investigates the configuration of the speaking place of the Madrid-born writer: how is the discursive consciousness of her 'marginal' place or point of view constructed?
The article explores how the experience of exile in Argentina conditioned the artistic production of Victorina Durán (1899-1993), allowing her to incorporate elements from different cultures. Between 1937 and 1963, the artist established literary networks that responded to a dual inclination: the desire to achieve artistic success in the new context and the nostalgia for her native Spain. In addition to addressing Durán's artistic production and the dynamics of intellectual cooperation during her years of exile, the document investigates the configuration of the speaking place of the Madrid-born writer: how is the discursive consciousness of her 'marginal' place or point of view constructed?
