Acceso usuarios
Manuel José Ramos Ortega 
Pocos poetas contemporáneos españoles, como Gerardo Diego, presentan una trayectoria poética tan polimórfica y de perfiles tan variados, mantenidos con pulso sostenido a lo largo del siglo XX. Así, sus inicios con la vanguardia, ultraísmo y creacionismo, se hacen explícitos con las primeras colaboraciones en sus revistas, Grecia, Cervantes, Reflector…, que solo constituyeron una página más en su permanente atención a la vanguardia artística y su ininterrumpido proceso creador hasta culminar con sus colaboraciones en las revistas del 27: Litoral, Verso y Prosa…. Este artículo pretende, en la medida de lo posible, cubrir el ininterrumpido itinerario de sus diferentes facetas y evoluciones poéticas desde la vanguardia hasta el 27, en su caso avalado por su prestigio como crítico y fundador, él mismo, de la mítica revista Carmen.
Few contemporary Spanish poets, such as Gerardo Diego, have such a polymorphic poetic career and such varied profiles, maintained with a steady pulse throughout the 20th century. Thus, his beginnings with the avant-garde, ultraism and creationism, are made explicit in his early contributions to magazines such as Grecia, Cervantes, and Reflector, which were just another page in his ongoing attention to the artistic avant-garde and his uninterrupted creative process, culminating in his contributions to the magazines of the Generation of ‘27: Litoral and Verso y Prosa. This article aims, as far as possible, to cover the uninterrupted journey of his different phases and poetic developments from the avant-garde to the Generation of ‘27, in his case backed by his prestige as a critic and founder of the legendary magazine Carmen.
