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Este artículo propone un acercamiento a la multimodalidad en los estudios literarios desde una doble perspectiva: en primer lugar, introduce el concepto en el análisis de la narrativa española contemporánea; en segundo lugar, argumenta la relevancia que poseen en la construcción del sentido del texto tres vías poco exploradas de interacción entre el discurso verbal y los otros modos semióticos presentes en la obra. Estas se caracterizan respectivamente por la aparente redundancia, desconexión o contradicción que implican.This paper proposes an approach to multimodality within literary studies from a two-fold perspective: first, it introduces the concept of multimodality in the field of contemporary Spanish narrative; second, it studies three ways in which the verbal discourse and other semiotic modes can interact with each other within a novel. These have been usually put aside due respectively to their apparent redundancy, lack of connection, or contradiction.
This paper proposes an approach to multimodality within literary studies from a two-fold perspective: first, it introduces the concept of multimodality in the field of contemporary Spanish narrative; second, it studies three ways in which the verbal discourse and other semiotic modes can interact with each other within a novel. These have been usually put aside due respectively to their apparent redundancy, lack of connection, or contradiction.
