Acceso usuarios
Jesús Rubio Jiménez 
Clarín mantuvo correspondencia con diferentes actores. En este ensayo se recuperan algunas cartas de dos de ellos, María Guerrero y Fernando Díaz de Mendoza, relativas sobre todo a su drama Teresa. Su lectura contrastada con las correspondientes cartas de Clarín permite conocer cómo entendían el trabajo de los actores y la puesta en escena. Sus intereses eran diferentes y su colaboración por ello acabó descarrilando.
Clarín kept correspondence with different actors. In this essay, we recover some letters from two of them, María Guerrero and Fernando Díaz de Mendoza, which were mainly related to his drama Teresa. Their reading, contrasted with Clarin’s corresponding letters, allows us to understand how they conceived the work of the actors and the staging. Their interests were different and their collaboration therefore ended up derrailing.
