Argentina
En este trabajo presentamos un análisis del poema mitológico “La Andrómeda” de Lope de Vega publicado en 1621 dentro del volumen misceláneo La Filomena. El objeto de este análisis es definir su posible funcionalidad dentro de la dispositio de todo el libro. Para ello prestaremos particular atención a las referencias que dentro de las octavas del poema se refieren a la dedicataria doña Leonor de Pimentel y privilegiaremos una lectura metapoética autorizada por la matriz genérica a la que se adscribe el poema. Desde la premisa que “La Andrómeda” cierra la primera parte de la miscelánea, analizaremos su última octava y para proponer una hipótesis acerca de la metamorfosis final: la del sujeto poético en la figura de Faetón, y sus posibles sentidos hacia la segunda parte del volumen, aquella constituida por la serie de diez epístolas y una elegía.
In this paper we are going to present an analysis of the mythological poem “La Andrómeda” by Lope de Vega, included in the volume La Filomena that was published in 1621, in order to define a possible functionallity within the construction of the speech of the entire book. For this, we will have to pay attention to the references that inside the octaves, refer to the dedicatee Doña Leonor de Pimentel and we are also going to privilige a metapoetic reading, authorized by the generic matrix to which the poem is ascribed. From the premise that “La Andrómeda” within a possible internal division of the miscellany closes the first part, we are going to analyse its last eighth and will establish, following the proposed line of reading, a hypothesis about the final metamorphosis, the ones from the lyrical subject in Faeton´s figure and its possiblemeanings towards the second part of the volume, made up of a series of ten epistles and an elegy.