Acceso usuarios
The return of genre in 1990s Spanish cinema: industry, legislative changes and economics
Vicente Rodríguez Ortega
págs. 3-22
págs. 23-37
Back to the eighties: nostalgia and the “transition culture” in El ministerio del tiempo
Concepción Cascajosa Virino 
págs. 38-52
págs. 53-69
Rumberas, pero decentes: intérpretes cubanas en el cine mexicano de la edad dorada
Maricruz Castro Ricalde
págs. 70-89
The cinema of Cuba: contemporary film and the legacy of the Revolution
Will McKeown
Es reseña de:
The cinema of Cuba: contemporary film and the legacy of the Revolution
Guy Baron (ed. lit.), Ann Marie Stock (ed. lit.), Antonio Álvarez Pitaluga (ed. lit.)
London [etc.] : I. B. Tauris, 2017
págs. 90-91
Contemporary Peruvian cinema: history, identity and violence on screen
Dolores Tierney
Es reseña de:
Contemporary Peruvian cinema: history, identity and violence on screen
Sarah Barrow
London [etc.] : I. B. Tauris, 2018
págs. 91-92
Latinas and latinos on TV: colorblind comedy in the post-racial network era
Milagros López-Peláez Casellas
Es reseña de:
Latinas and latinos on TV: colorblind comedy in the post-racial network era
Isabel Molina-Guzmán
Tucson : University of Arizona Press, 2018
págs. 93-94
New transnationalisms in contemporary Latin American cinemas
Carolyn Fornoff
Es reseña de:
New transnationalisms in contemporary Latin American cinemas
Dolores Tierney
Edinburgh : Edinburgh University Press, 2018
págs. 94-96
Portugal’s global cinema: industry, history, and culture
Filipa Rosário
Es reseña de:
Portugal’s global cinema: industry, history, and culture
Mariana Liz (ed. lit.)
London : I. B. Tauris, 2017
págs. 96-98
Uruguayan cinema, 1960–2010: text, materiality, archive
Paul Merchant
Es reseña de:
Uruguayan cinema, 1960–2010: text, materiality, archive
Beatriz Tadeo Fuica
London : Tamesis, 2017
págs. 98-99
