Behind the screen: turning to language work in the movies
págs. 737-743
págs. 744-757
A dialogic approach to actor voice training: applying findings from Conversation Analysis to the work of voice coaches
págs. 758-773
Transmodal practice and embodied style in audio description: thinking beyond the academic “but”
págs. 774-790
Engineering a “perfect” Mandarin: language standardization as a means of creative agency in Taiwan’s dubbing recording
págs. 791-809
págs. 810-815
Linguistic historicization in movie scriptwriting: Methodological considerations
págs. 816-820



