Aspectos semióticos en el lenguaje visual de la hibridación arquitectónica chino-europea

• Autores: Manuel-Viggo Castilla Roldán
• Localización: Signa: Revista de la Asociación Española de Semiótica, ISSN 1133-3634, Nº 28, 2019, págs. 561-597
• Idioma: español
• DOI: 10.5944/signa.vol28.2019.25070
• Títulos paralelos:
  • Semiotic aspects in visual language of the architectural chinese-european hibridization
• Enlaces
  • Texto completo (pdf)
• Resumen
  • español

    Este artículo analiza conceptos relacionados con el signo arquitectónico, y presenta una reflexión sobre aspectos semióticos del lenguaje visual de una de las obras de arte más importantes de la arquitectura en la dinastía Qing (S. XVIII): el Palacio Yuanying Guan (Vistas a un Mar distante). Se han utilizado conceptos y estructuras semióticas para interpretar la expresión de sus formas arquitectónicas y formular una comprensión posterior de dichas formas, convirtiendo cada elemento en una herramienta de comunicación.This article analyses some concepts related to the architectural sign and presents itself a semiotic reading of one of the most important works of art of the architecture in Qing dynasty (18th Century): the Yuanying Guan (View of the Distant Sea) pavilion. Semiotic structures were employed to interpret the expression of architectural forms and formulate a subsequent understanding of these forms by turning each element into a communication tool.

  • English

    This article analyses some concepts related to the architectural sign and presents itself a semiotic reading of one of the most important works of art of the architecture in Qing dynasty (18th Century): the Yuanying Guan (View of the Distant Sea) pavilion. Semiotic structures were employed to interpret the expression of architectural forms and formulate a subsequent understanding of these forms by turning each element into a communication tool.

• Referencias bibliográficas
  • AGREST, D. & GANDELSON, M. (1995). Semiotics and Architecture. New York: Princeton Architectural Press.
  • AMIRMASOUD, D. (2015). “The Reflection of Semiotic Theories in the Architectural Reading of the Contemporary Mosques of Tehran”. Indian Journal...
  • ARNHEIM, R. (1954). Art and Visual Perception. Berkeley: University of California Press.
  • BARMÉ G.R. (1996). East Asian History. Canberra: Division of Pacific and Asian History. Research School of Pacific and Asian Studies / Australian...
  • BARTHES, R. (1972). Le degré zéro de l’ecriture: Nouveaux essays critiques. Paris: Seuil.
  • BEURDELEY, C. & BEURDELEY, M. (1971). Giuseppe Castiglione: A Jesuit Painter at the Court of the Chinese Emperors. Traducción de Michel...
  • BEURDELEY, M. (1997). Peintres jésuites en Chine au XVIII siècle. Arcueil Cedex: Anthèse.
  • BOTTON, F. (2005). “Reseña del libro de Elisabetta Corsi, La fábrica de las ilusiones. Los jesuitas y la difusión de la perspectiva lineal...
  • BROADBENT, G. (1977). “A Plain Man’s Guide to the Theory of Signs in Architecture”. Architectural Design 7-8, 474-482.
  • CASTILLA, M. V. (2015). “The Apostolic Status of Linear Perspective during the Eighteenth-Century in China”. Revista Orientando (Centro de...
  • CASTILLA, M. V. (2016). “Giuseppe Castiglione (Lang Shining). Precursor de la primera mundialización pictórico-arquitectónica”. Estudios de...
  • CORSI, E. (2004). La fábrica de las ilusiones. Los jesuitas y la difusión de la perspectiva lineal en China (1698-1766). México: Centro de...
  • CULLEN, G. (1961). The Concise Townscape. London: Architectural Press.
  • CHANDLER, D. (2007). Semiotics: The Basics. Second Edition. London: Routledge.
  • DONOUGHO, M. (1987). “The Language of Architecture”. The Journal of Aesthetic Education 21.3, 53-67.
  • ECO, U. (1986). La estructura ausente. Introducción a la Semiótica. Barcelona: Editorial Lumen.
  • ECO, U. (1997). “Function and Sign: The Semiotics of Architecture”. En Rethinking Architecture: A Reader in Cultural Theory, Neil Leach (ed.),...
  • FISKE, J. (1990). Introduction to Communications Studies [2nd Edition]. London: Routledge.
  • GREIMAS, A. J. & COURTÉS, J. (1982). Semiotics and language: An Analytical Dictionary. Bloomington: Indiana University Press.
  • HALE, J.A. (2000). Building ideas: An Introduction to Architectural Theory. Chichester: John Wiley & Sons LTD.
  • JENCKS, Ch. & BAIRD, G. (eds.) (1969). Meaning in Architecture. New York: George Braziller.
  • JENKCS, Ch. (1984). “El signo arquitectónico”. En El lenguaje de la arquitectura: un análisis semiótico, G. Broadbent, R. Bunt & C. Jenkcs...
  • JORGENSEN, K. (1998). “Semiotics in Landscape Design”. Landscape Review 4.1, 39-47.
  • JUODINYTÉ-KUZNETSOVA, K. (2011). “Architectural space and Greimassian semiotic”. Societal Studies 3.4, 1269-1280.
  • KLEUTGHEN, K. (2013). “Staging Europe: Theatricality and Painting at the Chinese Imperial Court”. Studies in Eighteenth-Century Culture 42,...
  • LOEHR, G. R. (1940). Giuseppe Castiglione (1688-1766). Pittore di corte di Ch’ien Lung, Imperatore della Cina. Roma: Instituto Italiano per...
  • MAGARIÑOS DE MORENTÍN, J. (2007). “La Semiótica de los bordes. Significación y negatividad”. Tópicos del Seminario 18 (juliodiciembre), 99-100.
  • MARTIN, B. & RINGHAM, F. (2000). Dictionary of Semiotics. London and New York: Cassell.
  • MINZHONG, Y. (2001). Ed. Rixia juwen kao. 4 vols. (Beijing: Beijing guji chubansh), vol.1, 82. [Cita tomada de la tesis de doctorado de Hui...
  • NÖTH, Winfried (1990). Handbook of Semiotics. Bloomington: Indiana University Press.
  • PANIAGUA, E. (2013). “La Arquitectura y su significación pragmática y tectónica”. Signa 22, 521-548 (también en https://doi.org/10.5944/ signa.vol22.2013.6365...
  • PEIRCE, Ch. S. (1931-1958). Collected Writings. 8 vols. Charles Hartshorne, Paul Weiss & Arture W. Burks (eds.). Cambridge, MA: Harvard...
  • PIRAZZOLI-T’SERSTEVENS, M. (2007). Giuseppe Caastiglione. 1688-1766, Peintre et architecte à la cour de Chine. Paris: Thalia édition.
  • POLLITT, J.J. (1974). The Ancient View of Greek. New Haven: Yale University Press.
  • POZZO, Andrea (1693 [1989]). Perspective in Architecture and Painting. Copia íntegra en latín e inglés de la edición de 1693, Perspectiva...
  • RAWSKI, E. & RAWSON, J. (2006). China: The three Emperors 16621795. London: Royal Academy of Arts.
  • ROSSI, A. (1982). The Architecture of the City. [Primera edición. 1966]. The Graham Foundation for Advanced Studies in the Fine Arts, and...
  • SAUSSURE, F. (1983). Course in General Linguistics. London: Duckworth.
  • SIU, V. M. (2012). “China and Europe entwined: a new view of the European sector of the Chan Chun Yuan”. Studies in the History of Gardens...
  • STANDAERT, N. (2007). An Illustrated Life of Christ Presented to the Chinese Emperor: The History of Jincheng Shuxiang (1640). Monumenta Serica...
  • TASHEVA, S. (2012). Semiotics of Architectural Graphics. Sofia: Institute of Art Studies.
  • TAURENS, J. (2008). “Meaning and Context in the Language of Architecture”. En Place and Localization: Studies in Environmental Aesthetics...
  • THIRIEZ, R. (1994). “The Qing Long Emperor’s European Palaces”. En The Delights of Harmony: The European Palaces of the Yuanming Yuan &...
  • WALEY-COHEN, J. (1999). The Sextants of Beijing: Global Currents in Chinese History. New York: W.W. Norton & Company.
  • WONG, Y. (2001). A Paradise Lost: The Imperial Garden Yuanming Yuan. Honolulu: University of Hawai’s Press.
  • YI-FU, T. (1993). Passing Strange and Wonderful: Aesthetics, Nature and Culture. New York: Island Press.
  • YUFENG, J. (1984). Yuanming Yuan Lou Pinxi (A critical analysis of the European section in the Yuanming Yuan). Yuanming Yuan Garden Journals...
  • ZOU, H. (2005). The Jing of Line-Method: A perspective Garden in the Garden of Round Brightness. PhD. School of Architecture. Montreal: McGill...
  • ZOU, H. (2011). A Jesuit garden in Beijing and Early Modern Chinese Culture. West Lafayette: Purdue University Press, Project Muse.